Westkunst, 1981

In 1981, the Cologne Trade-Fair centre hosted a large exhibition titled Westkunst: Zeitgenössische Kunst seit 1939 (Western Art: Contemporary Art since 1939). Organized by art critic Laszlo Glozer and curator Kasper König, the Western-centric survey highlighted avant-garde art and politically charged themes of freedom and individual expression. By examining Westkunst's historiographical stakes in light of the Cold War division of Europe, the show is revealed as paradigmatic of the ways in which hegemonic concepts of 'Western art’ and the accompanying processes of othering were fashioned in the art world. In this collective volume, Westkunst’s universalising claims are scrutinised by focusing on the artistic tendencies exhibited; on exhibitionary discourses and practices of decontextualisation, comparison, and appropriation; on the alleged realisation of the values of progress, freedom, and autonomy; on the enacted conceptions of temporality and the archite